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Under Windows XP, the Save In list shows the top-level locations on the system, including each drive, My Documents, and My Network Places. Open the list, as shown in Figure 21-9, and select the location in which you want to start. Then double-click folder icons in the le listing to drill down to the location in which you want to save. To go back up one level, click the Up One Level button. See Figure 21-9. Along the left side of the Save As dialog box is the Places Bar. It s roughly equivalent to the Favorite Links list in Windows Vista. You can click a folder to jump to the desired location to save a le.

Pi = PO- m!

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The easiest way to work with the Warp command is to choose a preset shape from the Warp Style pop-up menu in the options bar. This gives you a simplified version of the mesh, shown in Figure 3.13, with a single control point that you can drag to increase or decrease the amount of warping. You can also control the amount of warping by typing a positive or negative percentage value into the Bend box in the options bar (negative values bend the shape in the opposite direction). The other boxes in the options bar, H and V, control how much horizontal and vertical distortion to apply at the same time. Positive H values make the right side of the grid taller than the left side; negative H values have the opposite effect. Similarly, positive V values make the bottom of the grid wider than the top; negative V values make the top wider than the bottom. The default values of 0 remove any distortion effect.

Okay, the Healing Brush tool is a seemingly all-powerful tool that you ll find yourself using a whole lot. But variety is the spice of life, so let me show you one more blemishremoval technique you might find useful.

olor is the basic element for everything that you do with images. The purpose of this chapter is to help you understand how Photoshop perceives color so you can use the tools in subsequent chapters more effectively. Photoshop provides some very powerful tools to analyze, adjust, and select colors in your images. This chapter discusses using the histogram to understand the color composition in an image. Understanding the histogram is a basic necessity to make the most out of tools such as the Levels and Curves adjustments. Another important aspect of this chapter is discussing the color modes provided in Photoshop and how to select colors based on those color modes. The color modes give you an insight into how Photoshop perceives color and consequently how to make the most out of the editing tools provided.

If you choose a style that features a Color, Gradient or Pattern overlay, the overlay overrides the fill color, so changing the fill color has no effect.

The corresponding value in the Difference range is negative. The corresponding text in the Of ce range is Oregon.

To get the most from this book, start at the beginning and go through it sequentially. This allows you to experience this learning process in the way I envision it. In many cases, ideas in one chapter build on information introduced in previous chapters. This amplification process won t make as much sense if experienced out of order. Also, take the time to read each chapter, even if you think you already understand its subject. You never know when you ll turn up a nugget that will completely change the way you work with your images.

A general note for programmers familiar with other languages: PHP does not need very many different kinds of data structures, in part because of the great flexibility offered by PHP arrays. By careful choice of a subset of array functions, you can make arrays pretend to act like vector arrays, structure/record types, linked lists, hash tables, or stacks and queues data structures that in other languages either require their own data types or more abstruse language features such as pointers and explicit memory management.

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